World Literature 2403
A beginning
What is literature
and why read it?
The simple attempt to define literature has political
implications.
E.D. Hirsch –Cultural Literacy Movement—static academic
knowledge
Louise Rosenblatt --Reader Response Theory—employing the
reader as critic/meaning maker
A canon—an accepted standard of literature, has changed
with our culture.
Literature as a
picture
Often, literature defines the culture and cultural
standards from which it comes and from which it is held up as an example of the
canon of literature.
Literature
includes texts that
are written text (as opposed to spoken or sung)
are marked by careful use of language (metaphors,
well-turned phrases, elegant syntax, rhyme, alliteration, meter)
are in a literary genre (poetry, prose, fiction, drama)
are read aesthetically
are intended by the author to be read aesthetically
are deliberately open to interpretation
Reader Response
The reader performs different activities during aesthetic
and non-aesthetic readings depending on the different focus of attention during
the reading event.
In non-aesthetic reading the focus is on what will remain
after the reading.
In aesthetic reading the concern is what happens during
the actual reading.
Understanding
Openness
To understand metaphoric sense and poetic effect read the
following two passages: one from The Joy of Cooking and one entitled The
Joy of Cooking.
Irma Rombauer and Marion Rombauer Becker’s majestic cookbook, Joy of Cooking (1975:507-
508):
About Tongue
Lucky indeed is the cook with the gift of tongues! No
matter from which
source—beef, calf, lamb or pork—the smaller-sized tongues
are usually
preferable. The most commonly used and best flavored,
whether fresh, smoked or
pickled, is beef tongue. For prime texture, it should be
under 3 pounds.
Scrub the tongue well. If it is smoked or pickled, you
may wish to blanch it
first, simmering it about 10 minutes. Immerse the tongue
in cold water. After
draining, cook as for Boiled Fresh tongue, below. If the
tongue is to be served
hot, drain, plunge it into cold water for a moment so you
can handle it, skin it and
trim it by removing the roots, small bones and gristle.
Return it very briefly to the
hot cooking water to reheat before serving.
If the tongue is to be served cold, allow it to cool just
enough to handle
comfortably. It skins easily at this point but not if you
let it get cold. Trim and
return it to the pot to cool completely in the cooking
liquor. It is attractive served
with Chaud-Froid Sauce or in Aspic, see below.
On the other hand,
Elaine Magarrell’s poem, “Joy of Cooking”—although strikingly similar
to the cookbook excerpt above
to the cookbook excerpt above
I have prepared my sister’s tongue,
scrubbed and skinned it,
trimmed the roots, small bones, and gristle.
Carved through the hump it slices thin and neat.
Best with horseradish
and economical—it probably will grow back.
Next time perhaps a creole sauce
or mold of aspic?
I will have my brother’s heart,
which is firm and rather dry,
slow cooked. It resembles muscle
more than organ meat
and needs an apple-onion stuffing
to make it interesting at all.
Although beef heart serves six
my brother’s heart barely feeds two.
I could also have it braised
and served in sour sauce.
The Greeks and
literature
The human and the divine—religious
celebrations
Dionysian celebrations became an annual festival held in
Athens at a large outdoor amphitheater. Eventually, the dancing choruses of
worshipers began competing for prizes (a bull or a goat).
Then Thespis added another innovation: One chorus member
would step away from the others to play the part of that hero or god. This
actor wore a mask (like the one on the right) and entered into a dialogue with
the chorus.
Three types of
Plays
The tragedies, which had heroic characters and
unhappy endings, were serious treatments of religious and mythic questions. The
satyr plays were comic and even lewd treatments of the same themes. The comedies
differed from the tragedies in having ordinary people as characters and happy
endings.
A Tragic Myth: The
House of Thebes
The basic plot of Antigone is part of a long myth
that was as familiar to Athenian audiences as stories about the Pilgrims are to
Americans today. A myth is an old story, rooted in a particular society,
that explains a belief, a ritual, or some mysterious aspect of nature. Many
myths also try to explain human suffering. In many cases, the myths explain our
sufferings in terms of the workings of the gods—of fates that cannot be
avoided, of curses that haunt generation after generation.
The following story is the myth the Athenians knew and
the one that we must also know if we are to understand Antigone.
Oedipus Rex (the
King)
The protagonist of the tragedy is the son of King Laius and Queen Jocasta of Thebes. After Laius
learns from an oracle that
"he is doomed/To perish by the hand of his own son," he binds tightly
together with a pin the feet of the infant Oedipus and orders Jocasta to kill
the infant. Hesitant to do so, she demands a servant to commit the act for her.
Instead, the servant abandons the baby in the fields, leaving the baby's fate
to the gods. A shepherd
rescues the infant and names him Oedipus (or "swollen feet").
Intending to raise the baby himself, but not possessing of the means to do so,
the shepherd gives it to a fellow shepherd from a distant land, who spends the
summers sharing pastureland with his flocks. The second shepherd carries the
baby with him to Corinth,
where Oedipus is taken in and raised in the court of the childless King Polybus of Corinth as if he
were his own.
Oedipus Rex (cont.)
As a young man in Corinth,
Oedipus hears a rumour that he is not the biological son of Polybus and his
wife Merope. When Oedipus calls them out on this, they deny it, but, still
suspicious, he asks the Delphic
Oracle who his parents really are. The Oracle seems to ignore this
question, telling him instead that he is destined to "Mate with [his]
own mother, and shed/With [his] own hands the blood of [his] own sire."
Desperate to avoid his foretold fate, Oedipus leaves Corinth in the belief that
Polybus and Merope are indeed his true parents and that, once away from them,
he will never harm them.
On the road to Thebes, he meets Laius, his true father.
Unaware of each other's identities, they quarrel over whose chariot has
right-of-way. King Laius moves to strike the insolent youth with his sceptre,
but Oedipus throws him down from the chariot and kills him, thus fulfilling
part of the oracle's prophecy. Shortly after, he solves the riddle of the Sphinx, which has
baffled many a diviner: "What is the creature that walks on four legs
in the morning, two legs at noon, and three in the evening?"
Oedipus Rex (cont.)
On the road to Thebes, he meets
Laius, his true father. Unaware of each other's identities, they quarrel over
whose chariot has right-of-way. King Laius moves to strike the insolent youth
with his sceptre, but Oedipus throws him down from the chariot and kills him,
thus fulfilling part of the oracle's prophecy. Shortly after, he solves the riddle of the Sphinx, which has
baffled many a diviner: "What is the creature that walks on four legs
in the morning, two legs at noon, and three in the evening?"
To this Oedipus replies, "Man" (who crawls on
all fours as an infant, walks upright later, and needs a walking stick in old
age), and the distraught Sphinx throws herself off the cliffside. Oedipus's
reward for freeing the kingdom of Thebes from her curse is the kingship and the
hand of Queen Dowager
Jocasta, his biological mother. The prophecy is thus fulfilled, although none
of the main characters know it.
..the ending which leads to Antigone
A blind Oedipus now exits the
palace and begs to be exiled
as soon as possible. Creon enters, saying that Oedipus shall be taken into the
house until oracles can be consulted regarding what is best to be done.
Oedipus's two daughters (and half-sisters), Antigone and Ismene, are sent out and Oedipus
laments that they should be born to such a cursed family. He asks Creon to
watch over them and Creon agrees, before sending Oedipus back into the palace.
Antigone means
“born to oppose”
Is intelligence born in all..so that laws that are
created by all are the best ruler?
Antigone obeys a law which citizens approve and in doing
so must die under Creon’s edict.
Thematic elements include the fall of the just and the
evil consequences of good acts.
Action is divine and human
Antigone—the play
Characters do not merely act, they comment on the action
Characters criticize motives and judge ideas
The audience is a viewpoint
The characters are real people
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